Monthly Archives: February 2019

Russ Tamblyn

Hollywood, Movies, , ,

 

Russell Irving Tamblyn (born December 30, 1934) is an American film and television actor and dancer.

Born and raised in Los Angeles, Tamblyn was trained as a gymnast in his youth. He began his career as a child actor for Metro-Goldwyn-Mayer. Tamblyn appeared in the musical Seven Brides for Seven Brothers (1954). He subsequently portrayed Norman Page in the drama Peyton Place (1957), for which he earned an Academy Award nomination for Best Supporting Actor. This led to Tamblyn being cast in leading roles, such as in the crime film High School Confidential (1958), and in the title role of Tom Thumb (1958).

Tamblyn’s gymnastic and acrobatic talents were showcased in several other musicals, including West Side Story (1961), in which he portrayed Riff, the leader of the Jets gang. The success of West Side Story led to additional leading roles, including parts in the horror film The Haunting (1963), directed by Robert Wise, and the Japanese science fiction film The War of the Gargantuas (1966).

Throughout the 1970s, Tamblyn appeared in several exploitation films and worked as a choreographer in the 1980s. In 1990, he starred as Dr. Lawrence Jacoby in David Lynch’s television drama Twin Peaks, reprising the role during its 2017 revival.

 

Early life

Tamblyn was born December 30, 1934 in Los Angeles, California, the son of actors Sally Aileen (Triplett) (1912–1995) and Eddie Tamblyn (Edward Francis Tamblyn) (1908–1957). He has one younger brother, Larry Tamblyn, who was the organist for the 1960s band, the Standells. Tamblyn was a “hyperactive” child and had a penchant for gymnastics and
performing. As a child, he would take the stage during intermissions at the local movie theater and do tumbling performances.

Career

1948–1952: Child acting

Tamblyn wanted to be a circus performer and was skilled in acrobatics and dancing as a child. He developed a musical act that involved singing, dancing, juggling and comedy. Discovered at the age of ten by actor Lloyd Bridges after acting in a play, Tamblyn first appeared on film in a small non- speaking role in The Boy With Green Hair (1948). Also as a child, he appeared on The Ed Sullivan Show.

Tamblyn was given a large role in The Kid from Cleveland (1949), billed third (as “Rusty Tamblyn”) under stars George Brent and Lynn Bari. The movie was not a large success but established Tamblyn as a film actor. He could be seen in small roles in Reign of Terror (1949), Cecil B. DeMille’s 1949 version of Samson and Delilah (where he played young Saul), and the short What Happened to Jo Jo? (1950).

He played the younger Bart Tare (played as an adult by John Dall) in the film noir Gun Crazy (1950); around the same time, he had a minor role as Elizabeth Taylor’s younger brother in Father of the Bride (also 1950) and appeared in its sequel, Father’s Little Dividend (1951). Tamblyn could also be seen in Captain Carey, U.S.A. (1950), The Gangster We Made (1950), As Young as You Feel (1951), Cave of Outlaws (1951), Retreat, Hell!(1952), and The Winning Team (1952).

1953–1962: MGM and leading roles

MGM had been impressed by Tamblyn’s performance in Retreat, Hell! and
signed him to a long term contract. His first role under the new contract was
as a young soldier in boot camp in Take the High Ground! (1953), directed by Richard Brooks. His training as a gymnast in high school, and abilities as an acrobat, prepared him for his breakout role as Gideon, the youngest brother, in Seven Brides for Seven Brothers (1954).

 

He was not a trained dancer and always considered himself an actor who danced rather than the other way around, but the film was a big success and established him at MGM. Tamblyn was one of many studio contract players in the musical Deep in My Heart (1954). He played Eleanor Parker’s brother in the Western, Many Rivers to Cross (1955), and was one of several young MGM actors (others included Jane Powell and Debbie Reynolds) in the musical Hit the Deck (1955).

Tamblyn supported older actors in two Westerns: Robert Taylor and Stewart Granger in The Last Hunt (1956), a flop; and Glenn Ford and Broderick Crawford in The Fastest Gun Alive (1956), a big hit, where he performed an extraordinary “shovel dance” at a hoe-down early in the film.

 

He served (uncredited) as a choreographer for Elvis Presley in 1957’s Jailhouse Rock. MGM loaned Tamblyn to Allied Artists for his first star role, The Young Guns (1957). Back at MGM he supported Glenn Ford and Gia Scala in Don’t Go Near the Water (1957), a comedy set among members of the U.S. Navy.

Tamblyn portrayed Norman Page in the film Peyton Place (1957) at 20th Century Fox, opposite Lana Turner and Diane Varsi. For his performance in the film he received an Academy Award nomination for Best Supporting Actor. He was then given a star role at MGM, playing Tony Baker in High School Confidential (1958). The film was a solid hit. Also successful was the musical Tom Thumb (1958) made for George Pal, in which Tamblyn
was cast in the title role.

 

Tamblyn’s career was interrupted when he was drafted into the US army in 1958. On his return, MGM gave him an excellent part in Cimarron (1960). Tamblyn’s best known musical role came as Riff, the leader of the Jets street gang in West Side Story (1961). He then appeared in two MGM Cinerama movies, The Wonderful
World of the Brothers Grimm, and How the West Was Won (both 1962). He was seen as Luke Sanderson in The Haunting, and as Lt. “Smitty” Smith in MGM’s Follow the Boys (both 1963).

 

1963–1976: Television and independent films

Tamblyn was unable to consolidate his position as a leading man, and he later recounted that he “dropped out” after his West Side Story success, that he devoted himself to art and turned down movie roles as well as a role in the TV series Gilligan’s Island.

In the 1960s he appeared in the TV series The Greatest Show on Earth (“Silent Love, Secret Love”) (1963), and Channing (“The Last Testament of Buddy Crown”)(1963).

Tamblyn played a Viking alongside Richard Widmark and Sidney Poitier in The Long Ships (1965). He was in Burke’s Law (“Who Killed RosieSunset?”) (1965), and Gunsmoke (“He Who Steals”) (1965). He also appeared in Days of Our Lives (1965).

 

Tamblyn was giving the star role in a low budget Western for MGM, Son of a Gunfighter (1965) and starred in the 1966 Japanese kaiju film War of the Gargantuas. He guest starred on Tarzan (“Leopard on the Loose”) (1966), and Iron Horse (“Decision at Sundown”) (1967).

Tamblyn later admitted he became “bored” with acting around this time and more interested in art. He starred in a notorious biker movie, Satan’s Sadists (1969) for Al
Adamson. He followed it with Scream Free! (1969), The Last Movie (1971), The Female Bunch (1971) and Dracula vs. Frankenstein (1971) for Adamson.

He appeared on TV in Cade’s County (“Ragged Edge”) (1972), Win, Place or Steal (1973), The World Through the Eyes of Children (1975), The Quest (“he Captive”) (1976), The Life and Times of Grizzly Adams (“TheSkyrider”) (1978), and Nero Wolf (“Before I Die” 1981). He was also in the film Black Heat (1976).

At the same time he worked in exploitation, Tamblyn also worked in the construction industry and computer software.

 

1978–1989: Choreography and film

Tamblyn played the supporting role in Neil Young’s 1982, Human Highway. while also being credited for screenplay and choreography. Tamblyn is credited as director, choreographer and actor for Neil Young’s Greendale concert tour. He choreographed a play, Man with Bags, in 1983. He could be seen in Fame, Commando Squad (1987) for Fred Olen Ray, The Phantom Empire (1988), Necromancer (1988), B.O.R.N. (1988), The Bloody Monks (1988), and an episode of Quantum Leap. He was in Aftershock (1990), and Wizards of the Demon Sword (1991) for Fred Olen Ray.

 

 

1990–2004: Twin Peaks and other work

In 1990–91, Tamblyn starred as Dr. Lawrence Jacoby on the David Lynch- created series Twin Peaks (alongside his West Side Story co-star Richard Beymer, who played Ben Horne); his scenes in the 1992 prequel film, Twin Peaks: Fire Walk with Me. were cut.

He could be see in Running Mates (1992), Little Devils: The Birth (1993),Cabin Boy (1994), Desert Steel (1995), and Babylon 5. He appeared on stage in Los Angeles in Zastrozzi.

His work drifted back to straight to video: Starstruck (1995), Rebellious (1995), Attack of the 60 Foot Centerfold (1995) and Invisible Mom (1996) for Fred Olen Ray, Johnny Mysto: Boy
Wizard (1997), My Ghost Dog (1997), and Little Miss Magic (1998) for Ray.

He appeared on another soap opera, General Hospital, alongside his daughter Amber in 1997 and 2000. In 2004, he appeared with Amber again, playing God in the form of a man walking dogs, in three episodes of Joan of Arcadia. The two also have worked together in the films Rebellious, Johnny Mysto: Boy Wizard, and The Increasingly Poor
Decisions of Todd Margaret. And in Quentin Tarantino’s film Django
Unchained, they were billed respectively as “Son of a Gunfighter”and “Daughter of a Son of a Gunfighter”, alluding to his leading role in the 1965 western Son of a Gunfighter.

In 2004, the Academy Film Archive preserved the mid-1960s works First Film and Rio Reel by Tamblyn.

 

2005–present: Later roles

Tamblyn has had supporting roles in Drive (2011), Django Unchained (2012), and Hits (2014). He appeared several times in The Increasingly Poor Decisions of Todd Margaret, and in the revival of Twin Peaks (2017).

 

Personal life

Tamblyn married actress Venetia Stevenson in 1956, but the couple divorced the following year. He married Elizabeth Kempton, a showgirl, in Las Vegas in 1960. He and Kempton had one child, daughter China, before divorcing in 1979. His second child, actress Amber Tamblyn, was born in 1983 to his third wife, Bonnie Murray.

In 2012, it was announced that he was working on writing an autobiography, titled Dancing On The Edge. Tamblyn underwent open heart surgery in October 2014. There were complications following the surgery and during the rehabilitation, although his health has reportedly improved since.

Pedro Armendáriz

Hollywood, Mexico, Movies, , , , , ,

 

Pedro Armendáriz (born Pedro Gregorio Armendáriz Hastings; May 9, 1912 – June 18, 1963) was a Mexican film actor who made films in both Mexico and the United States. With Dolores del Río and María Félix, he was one of the best-known Latin American movie stars of the 1940s and 1950s.

Armendáriz was born in Mexico City, Distrito Federal, Mexico to Pedro Armendáriz García Conde (Mexican) and Adela Hastings (American). He was also the cousin of actress Gloria Marín. Armendáriz and his younger brother Francisco lived with their uncle Henry Hastings, Sr. in Laredo, Texas after their mother died. He later studied in California. He started in the world of acting by participating in the stage plays performed by the theater group at the University of California, where he continued a career in law. He graduated with an engineering degree from the California Polytechnic State University.

 

Career

When Armendáriz finished his studies, he moved to Mexico where he worked for the railroad, as a tour guide and as a journalist for the bilingual magazine México Real. He was discovered by film director Miguel Zacarías when Armendáriz recited a soliloquy from Hamlet to an American tourist. His meeting with the director Emilio Fernández was providential. Actor and director began working in numerous films: Soy puro mexicano (1942), Flor silvestre (1942) and specially María Candelaria (1943) were the first films of intense common path. Under the guidance of Emilio Fernández, Pedro Armendáriz developed the film personality traits of a strong nationalist — he often played tough and manly men, indigenous men, peasants, and revolutionaries. Amendáriz repeatedly portrayed Pancho Villa ,and played opposite actresses such as Dolores del Río and María Félix.

 

With Dolores del Río, Amendáriz formed one of the most legendary couples of the Mexican cinema. María Candelaria provided Armendáriz with international visibility. The film was awarded the Palm d’Or at the 1946 Cannes Film Festival. Other prominent titles where Armendáriz appeared with  del Río included Las Abandonadas (1944), Bugambilia (1944) and La Malquerida (1949). Maria Felix was his other partner in such films as Enamorada (1946) and Maclovia (1948).

 

In the late 1940s, he made the jump to Hollywood, thanks to director John Ford. Armendáriz became a favorite of Ford’s, appearing in three of his films: The Fugitive (1947), Fort Apache, and 3 Godfathers (the latter two in 1948).

 

Besides his work in Mexican cinema, Armendáriz carved out a significant career in Hollywood and Europe as well. In addition to his work with Ford, he appeared in movies such as  We Were Strangers (1949, directed by John Huston), The Torch (1950), Border River (1954), The Conqueror (1956), and Diane (1956), among others. In Europe, he appeared in Lucrèce Borgia (1953), filmed in France. In Mexico, he worked on such notable films such as El Bruto (1953, directed by Luis Buñuel), La Cucaracha (1959), and La Bandida (1962).

Armendáriz’s last appearance was in the second James Bond film, From Russia with Love (1963), as Bond’s ally, Kerim Bey. Armendáriz was terminally ill with cancer during the filming of From Russia with Love, and toward the end of shooting he was too ill to perform his part; his final scenes were performed by his double, director Terence Young. Armendáriz died four months before the release of the film.

Personal life

Armendáriz was married to actress Carmelita Bohr (née Pardo) by whom he had one son and daughter. Pedro Armendáriz, Jr. also became an actor, and appeared in the James Bond film Licence to Kill (1989); his daughter Carmen Armendáriz, became a TV producer.

 

Illness and death

In 1956, Armendáriz had a role in the film The Conqueror produced by Howard Hughes. Filmed in the state of Utah at the time when the US government was doing above-ground nuclear testing in neighboring Nevada, within 25 years 91 of the 220 people involved in the production contracted cancer, 46 of whom died.

In rebuttal Pilar Wayne, John Wayne‘s widow, wrote in her autobiography that she did not believe radiation was involved in the deaths of those associated with the film. She claimed she had visited the set many times, as had others, and did not become ill. Instead, she believed her husband’s death and that of the others was solely due to smoking.

Armendáriz began to suffer pain in his hips; years later it was discovered that he had cancer in this region. He learned his condition was terminal while at UCLA Medical Center in Los Angeles, and endured great pain to film From Russia with Love (he visibly limps in most scenes) in order to assure his family financial resources.

On June 18, 1963, Armendáriz committed suicide by shooting himself in the chest with a gun he had smuggled into the hospital. He was 51 years old. He is buried in the Panteón Jardín cemetery in Mexico City, Mexico.